NASHVILLE, Tenn. – Country Music Hall of Fame and Grand Ole Opry member Whisperin’ Bill Anderson stepped in as a guest announcer on TBN’s “Huckabee” over the weekend. Filling in for Keith Bilbrey, Anderson acted as announcer with musical guest Gordon Mote, comedian Chad Thornsberry and columnist Gordon Chang. Visit Huckabee’s Facebook and website to watch clips from the episode.
Anderson‘s prolific songwriting has been recognized with membership into the Country Music Hall of Fame, Songwriters Hall of Fame and Grand Ole Opry and awarded him with more than 50 BMI Awards, three CMA Awards and two ACM Awards. Anderson earned a spot in history as the only songwriter in history to chart country songs in seven consecutive decades. Recently the National Recording Registry recognized Anderson’s songwriting as “Once a Day,” recorded by Connie Smith, joined other groundbreaking sounds of history and culture in the National Recording Registry of the Library of Congress.
The recordings most recently selected for the National Recording Registry bring the number of titles on the registry to 575, representing a small portion of the national library’s vast recorded sound collection of nearly 3 million items.
Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the National Recording Preservation Board, selects 25 titles each year that are “culturally, historically, or aesthetically significant” and are at least 10 years old. More information on the National Recording Registry can be found at loc.gov/programs/national-recording-preservation-board/about-this-program/. The public may nominate recordings for the Registry here.
Some registry titles have already been preserved by the copyright holders, artists or other archives. In cases where a selected title has not already been preserved, the Library of Congress Packard Campus for Audio Visual Conservation works to ensure that the recording will be preserved by some entity and available for future generations. This can be either through the Library’s recorded-sound preservation program or through collaborative ventures with other archives, studios and independent producers.
The Packard Campus is a state-of-the-art facility where the nation’s library acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts and sound recordings (loc.gov/avconservation/). It is home to more than 7 million collection items.
ABOUT BILL ANDERSON:
Country Music Hall of Famer and Grand Ole Opry titan Bill Anderson is the rare songwriter whose first major label cut went to No. 1 on the charts, was named Song of The Year and sparked a writing career that is currently in its seventh decade. The song, “City Lights,” was written when Anderson was a 19-year old Georgia disc jockey and became a career-defining hit for Ray Price in 1958. The song opened doors for him in Nashville, leading him to signing with BMI and Tree Publishing. Anderson was far from a one-hit wonder. He followed “City Lights” with country standards like “Tips Of My Fingers,” the GRAMMY-nominated “Once A Day,” “Saginaw, Michigan,” “That’s What It’s Like To Be Lonesome,” “I Missed Me,” “Cold Hard Facts Of Life,” which earned him another GRAMMY nomination, “Mama Sang A Song,” the crossover smash, “Still,” and countless others. He was voted country Songwriter of the Year six times during his first decade in Music City. His success continued into the 1970’s with award-winning hits like “Slippin’ Away,” “The Lord Knows I’m Drinking,” “I May Never Get To Heaven,” and the disco-flavored, “I Can’t Wait Any Longer.” The 1980’s saw Anderson’s chart-topping career take a hiatus as he became a TV network game show host, spokesman for a national restaurant chain and a nonstop touring Grand Ole Opry performer. In the 1990’s he came roaring back with a vengeance, however, as he seriously turned to co-writing for the first time. Inducted into the Country Music Hall of Fame in 2001, his collaborations with the newer generation of Nashville tunesmiths resulted in hits like “Wish You Were Here,” the GRAMMY-nominated “Two Teardrops,” “A Lot Of Things Different,” for Kenny Chesney, “Which Bridge To Cross (Which Bridge To Burn),” for Vince Gill and two CMA Song Of The Year trophies for “Whiskey Lullaby,” with Brad Paisley and Alison Krauss and George Strait’s “Give It Away,” in 2005 and 2007 respectfully. He continues to write today with songs like Brad Paisley’s “Dying To See Her.” For more information, visit BillAnderson.com.